The artworks from the series “The institutionalized oblivion” are based on photos taken in various slaughterhouses even though not their exact representation.
The works offer an energetic mix of visual experiences, the living creatures are blocked inside homogeneous blocks of matter that are bordering their freedom. The images are mute, the animals or only certain parts of them are suspended, caught with hooks to the cold industrial parts and only the blood gives the idea of movement.