This work is an attempt to see a cultural practice of Javanese society in the past in seeing human relationships with animals as a representation of power that we still feel today. The scene in Rampogan Sima occurred in the 19th century in the Javanese kingdoms I took as an example that the legitimacy of power gained by killing the Javanese tigers was rolling with spears to see how strong they were. The presentation of this work uses shadow as the language revealed because the "history" or story narrated down through the generations must undergo many distortions and also the projection that varies depending on where the light is placed or who is telling the "history" is.